Author: simonecarlo

Dear colleagues and attendants to the Migrations/Mediations International Conference,

In compliance with the current developments of the emergency related to the spread of Coronavirus COVID-19, with regret we have to inform you that the “Migrations/Mediations. Promoting intercultural dialogue through media, arts and culture” International Conference scheduled for April, 6-7, 2020 is suspended.

The Conference will be rescheduled for next Autumn, probably in the second half of September. We will let you know the new dates as soon as possible. We apologize for any inconvenience this postponement may cause, but your safety and serenity are our main concern.
Hopefully everyone will have the opportunity to attend the Conference in Autumn as well.

We are grateful for your understanding and we remain at your disposal for any further information.

Best regards

The Migrations/Mediations Conference Committee

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We share the new open call of “Atlas of Transitions Biennial | WE THE PEOPLE in Bologna, organised by ERT – Emilia Romagna Teatro Fondazione, Cantieri Meticci and University of Bologna” “Imagine a giant urban chorus. Imagine the energy of a common vibration generated by the city’s multitude of voices. Imagine being part of a temporary community aimed at the creation of an extraordinary public event. You would like to participate in the third edition of Atlas of Transitions Biennial | WE THE PEOPLE in Bologna, organised by ERT – Emilia Romagna Teatro Fondazione, Cantieri Meticci and University of Bologna in June 2020 Here’s an opportunity for you!  We are looking for people of all ages and cultural backgrounds, with or without singing skills,  music enthusiasts, vocal groups, singers, adventure spirits for Collettivo Amigdala’s new project: MAGNITUDO, a collective act of voicing. A musical score has been composed for the occasion by Meike Clarelli e Davide Fasulo both musiciansfrom Collettivo Amigdala. Thanks to the collaboration with the AfroWomenPoetry project, the score has been created on the words of the Ugandan Poet Carolyne Afroetry, expressly written for the singular and plural voices of Magnitudo. HOW IT WORKS: Starting from April 2020, every week and in distinct areas of the city, three workshop groups will rehearse for the two final performances of the 13th and 14th June 2020, when the groups will join together to create a powerful and subversive collective ritual by occupying public space in Bologna, respectively in the center and in the suburbs.  CHECK THE FULL CALENDAR AND REGISTER NOW! for Italian CLICK HERE

“From 9th to 14th June 2020, University of Bologna, Emilia Romagna Teatro Fondazione and Cantieri Meticci will host the International Summer School Performing arts and migration. Theories and Practices for Inclusive Cities at Arena del Sole Theatre in Bologna (Italy). 

Call to participate for max 30 people: Master students, PhD graduates and researchers from different disciplinary backgrounds, artists, activists, professionals in NGOs/third sector and cultural organizations, administrators and policy makers.

About the Summer School
The summer school offers an interdisciplinary course on international migration, performing arts and public space. The aim of the Summer School is to discuss theoretical frameworks, methodologies and artistic practices focused on the role of performing arts in becoming spaces of resistance, activism and creative intervention in the public space about migration and diversity. Involving world-wide scholars, artists, institutions and collective experiences, the course will offer an overview on the role played by performing arts in developing alternative imageries on migration, spaces of urban participation, collective memory and aesthetics of subversion. Classroom lessons, lessons, good practices presentations, artistic performances, roundtables, open lectures, classroom project works and field works/visits will be offered in this 5-day intensive summer school, for a full-immersion on how creativity and intercultural exchange can sustain more welcoming and inclusive cities.

The classes will be held in English.  

Tuition Fees
150 euro, which includes the access to the summer school program + 5 lunches and the welcome cocktail. In specific cases, grants will be available to cover the fee of the summer school, lunches and accommodation.

How to apply
Send your CV and a motivation letter (max. 300 words) to: info@atlasoftransitions.euSpecify if you apply for a grant.

The deadline for submitting applications is 29 February 2020. Participants will be informed of acceptance by 22 March 2020.

photo courtesy: Enrico De Stavola from the performance “Unleashing Ghosts from Urban Darkness” by Alessandro Carboni“

FROM: http://www.atlasoftransitions.eu/international-summer-school-call/

THURSDAY 21 from 15.30 to 16.30 in Università Cattolica (room SA116 Schuster – Via Sant’Agnese, 2. Milano) Davide Enia open lesson, accompanied by the musician Giulio Brocchieri

The Open Lesson of DAVIDE ENIA, playwright interpreter and director of the show L’Abisso (with which he won the Maschere Award of the Teatro 2019 as best monologue performer) is part of the “Drammaturgie Performative” course of Prof. Laura Peja and it will be Thursday 21 November 2019 at 15.30 classroom SA 116 Schuster

The abyss taken from “Notes for a shipwreck” (Sellerio editore, Premio Mondello 2018) a show by and with Davide Enia music composed and performed by Giulio Barocchieri production Theater of Rome – National Theater, Biondo Theater of Palermo, Lost Academy / Romagna Theaters in collaboration with Arzo International Storytelling Festival organization Luca Marengo

“When I saw the first landing in Lampedusa I was with my father – writes Davide Enia -. Lots of boys and girls came. History was the one that was happening before our eyes. Over the years I have returned to the island, building an ongoing dialogue with direct witnesses: fishermen, Coast Guard personnel, residents, doctors, volunteers and divers “.
Their words and, above all, their silences have become a story, a historical testimony and an existential path: “From the recording of their voices – continues Enia – fragments of painful and yet hopeful stories have emerged. Their words opened prospects and hid abysses ».
The staging of Davide Enia fuses different theatrical registers and languages: the ancient songs of the fishermen, tuned along the routes between Sicily and Africa, and the Palermo cunto, on the melodies with more voices that intertwine to become prayers full of anger when the sea roars and in the nets, together with the fish, we find the bodies of men, women, children.

Enia is engaged in a long tour with the show, in these days on stage at the Piccolo Teatro in Milan (12-24 November)

Davide Enia Bio

In 2002 he wrote directs and interprets “Italia-Brasile 3 a 2” (Ubu special 2003 award).

In 2003 he won the Tondelli Award at the Riccione Prize with «Scanna» which debuted with his directing, at the Venice Biennale in 2004.

In 2004 he writes, directs and interprets “Maggio ‘43” (first prize for best show at the “Moldavian International Teatrul Unui Actor”).

In 2005 he won the Hystrio Prize and the E.T.I Award as a dramaturgical novelty. For RaiRadio2 he writes and interprets «Rembò». In 2006 he won the Vittorio Mezzogiorno award and the Gassman Award for best emerging Italian talent.

In 2007 he writes, directs and interprets “I capitol dell’infanzia”.

The texts are published by Sellerio and Fandango.

In 2009 he won the Special Jury Prize at the Riccione Prize with “Il cuoco”.

In 2012 he published his first novel, “Così in Terra” (Baldini and Castoldi Dalai), translated into eighteen languages ​​and published all over the world.

In 2013 he was Writer in Residency (Nederlands Letterfonds Dutch Foundation for Literature) in Amsterdam.

In 2014 he published the story along «Uomini e Pecore» (EDT).

In 2015 he is Writer in Residency (Passaporta) in Brussels.

In 2016 with the French edition of “Così in Terra”, “Sur cette terre comme au ciel” (Albin Michel) won the Prix du Premier Roman Etranger and the Prix Brignoles as the best foreign novel of the year.

In 2017, in April, he directed “L’oca del Cairo”, an incomplete work by Mozart, at the Teatro Massimo in Palermo. In May he publishes his second novel, “Appunti per un naufragio” (Sellerio).

In 2017 he wins the Anima Prize for Social.

In 2018 he won the Mondello Award in the Italian Opera Section.

In October 2018 he will return to the theater with the opera “L’abisso” at the Teatro India in Rome.

With “L’Abisso” Davide Enia won the 2019 Theater Masks Award for Best Performer of Monologue

from the editorial staff

“An encounter between generations, between genders, between different cultures, each with its crises, efforts, hopes for the family. It is the beginning of a dialogue that has never stopped”. A book of Chiara Giaccardi and Peter Nondi.